This Is The Place …

… where my daily or thereabouts musings or items of immediate interest — something like a  visual working journal or diary or sketchbook — are recorded, with the latest additions appearing on the home page (here) in descending date order.

Ongoing personal collections may also be found under the Collections menu/tab of this site.

Work curated for public consideration may be found at FOTOWRX and select other online venues. Also see and follow FOTOWRX Gallery and lawhath2 on Instagram.

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Ken (1972)

Ken was one of my photo posse who went to work as Edmund Teske’s darkroom assistant after I introduced them. Edmund tried to get Ken into male modeling via his Hollywood connections. We traveled together often, accompanied by his wife and my photographer girlfriend, on photo excursions around California and Nevada. Ken, a citizen of Guatemala, often traveled and photographed throughout Mexico and Central America.

Ken in Monterey, California

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Teske In The 19th Century

Discovered during an pseudo-archeological photographic dig:

Edmund Teske, Box Canyon, Los Angeles, CA – 1972

 

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From the Laurel Canyon Series (1972)

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Untitled Variations (1973)

The Woman In The Snow (Insta Variation)

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Caught in an Act of Photography, Redux (1973)

Ansel Adams Workshop, Yosemite, 1973 (l. to r.: Jim Friedman, Jack Welpott, unidentified, Neil Miller, foreground camera subject and human image fragments at the sides unidentified)

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Caught in an Act of Photography (1973)

In a continuation of the saga of Jack Welpott’s camera work as shown here and here:

Neil Miller (top left), Ted Orland (center), Unidentified Young Woman (right foreground)

And today, Neil Miller sends me this image of a poster for an exhibition — an upshot of all that activity:

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Encountering the Hound of the Baskervilles

With apologies to Sir Arthur Conan Doyle …

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1973: JF

JF in Yosemite, Derived from Analog

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2024: JF

FaceTime with JF (Old Testament Version)

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Jack Welpott’s Camera in Situ, Continued (1973)

More new evidence is disclosed today, this confirming the presence of Ted Orland as his Leica grabs a piece of the action.

Ansel Adams Workshop, Yosemite, January 1973

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