Revealing a Speculative JF on FaceTime

One of an apparently continuing series …

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Goebbels by Eisenstaedt (1933)

This is one of the photographs that I most remembered, and was terrified by, from early childhood, when I would pore over my grandmother’s volumes of books on the illustrated history of World War II. Both of her sons — my uncles — fought in that war. I don’t know who published those encyclopedia-like hardback volumes, maybe one book for each year of the war with a volume each for prewar and postwar coverage, but they were the most compelling reading during our visits to her home from about 1946 – 1952. I never learned what happened to the set after my grandmother passed. The Goebbels portrait stuck with me as much as did the hundreds and hundreds of horrifying scenes of battle and corpses and Holocaust survivors. Only many years later, when I was an adult, did I realize that the image was a signature piece by the legendary photographer, Alfred Eisenstaedt.

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Shadow Kingdom Screen Grabs

Low-light handhelds from July 2024 TV stream of Bob Dylan’s 2021 “Shadow Kingdom” special …

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JF as Jean Cocteau (After the 1949 portrait by Philippe Halsman)

Study for LESSONS IN ART HISTORY project

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Glass on the Street – An Act of Vandalism

Kim’s Honda truck, parked on the street overnight:

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James, During the Pandemic

FaceTime Photo

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Shot at Point Blank Range

On my birthday — Los Angeles, May 1974

 

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Relics of the Past (1975)

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A Rose For Jonathan

In the 1977-78 timeframe, Jonathan and I were among the very few straight males associated with a prominent and wonderful mostly-lesbian nonprofit public art collective in Venice, California.  Jonathan was a talented painter and I was manning my camera between stints of grant writing and serving as administrative assistant to the organization’s uber-feminist CEO/art director.  One day Jonathan and I were relaxing in his on-premises studio when Joe, another muralist/painter (see him here) passed by with fresh stash for us to try.  Relaxing with one of Joe’s doobies, we dove into a theme Jonathan was trying to portray in his work, the relationship of beauty and violence.

At one point, we decided that a flower, perhaps a rose, was the classical metaphor/cliche for beauty and that violence might be represented by broken glass.  As Jonathan busied himself with sketches and brushstrokes, I started drafting a poem based on those themes, noting in my journal some of our remarks, including his idea that he wanted to show how he would “throw a rose  through a plate glass window and shatter it” .   In the meantime, I fired off a few frames of Jonathan himself.  

Later on, I brought together a portrait of Jonathan from that session, annotated to reflect his concept and my notes of poetry (as also shown here).

I don’t know whether Jonathan ever actually completed his beauty/violence piece, but the idea stayed in my mind over the years. Then, yesterday – when I stayed at home and did not travel to my studio, reminiscent of the Covid lockdown, because the temperatures were reaching 104 degrees – I came upon some old images of Jonathan.

This time I decided to run a bit of an experiment with artificial intelligence. So I tracked down several AI image generators and prompted them with language similar to the words Jonathan and I had used so many years ago. Four AI generators and 61 generated images later, plus my own editing and conversion of the results, some semblance of Jonathan’s concept started to emerge. Here is one example:

My rework of image originally prompted from Microsoft Designer AI


I haven’t seen or communicated with Jonathan for nearly fifty years, and have no idea of what may have become of him (or his work). What follows are some images to introduce you to my talented friend.

Jonathan is interviewed by Los Angeles 24 Hour News Radio (1978)

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The Two Most Beautiful Women In My Life (1997)

Radically upscaled from a tiny crop of an early lo-res point ‘n shoot image …

Ivi and Kim, Oregon (1997)

‘ shoot image…

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